An opera opens Friday at the Red Mountain Theater in Birmingham for three weekends and is attracting a lot of attention. It sold two screenings even before being marketed. They added this third show because of the quick sales, but it’s also selling out quickly. It’s called “DWB” or “Driving While Black” and is a one-act monodrama told by an African-American mother through her experiences with her son in a car. It explores issues of racial injustice as she tries to groom him to be a black man in America. Birmingham resident Aija Penix is ​​the director. She says, “The story I’m trying to tell here is that black people’s car in 2023 is the lynching tree.” The 45-minute show chronicles 16 years. Penix says if you’re planning on attending this weekend, don’t forget some tissues. “It’s a very moving piece…It’s a very real experience of black women around the world with the fears that we have across the diaspora with our children. We’ve historically been known to be a very focused people. And So, it really brings out the truth of the emotions behind it. The cast, crew, and musicians are overwhelmingly black, telling a story that Penix says will ring true with most, if not all, black mothers. But she hopes the audience will be diverse. She says, “I hope this reaches a majority non-black audience. I hope it gives a perspective that encourages empathy for black women, black mothers, black people in general , for black men, the targets themselves tickets are still available for Saturday, go to operabirmingham.org for ticket information.

An opera opens Friday at the Red Mountain Theater in Birmingham for three weekends and is attracting a lot of attention. It sold two screenings even before being marketed. They added this third show because of the quick sales, but it’s also selling out quickly.

It’s called “DWB” or “Driving While Black” and is a one-act monodrama told by an African-American mother through her experiences with her son in a car. It explores issues of racial injustice as she tries to groom him to be a black man in America.

Birmingham resident Aija Penix is ​​the director. She says, “The story I’m trying to tell here is that black people’s car in 2023 is the lynching tree.”

The 45-minute show chronicles 16 years. Penix says if you’re planning on attending this weekend, don’t forget some tissues. “It’s a very moving piece…It’s a very real experience of black women around the world with the fears that we have across the diaspora with our children. We’ve historically been known to be a very focused people. And so, it really brings out the truth of the emotions behind it.

The cast, crew and musicians are overwhelmingly black, telling a story that Penix says will ring true with most, if not all, black mothers. But she hopes the audience will be diverse. She says, “I hope this reaches a majority non-black audience. I hope it gives a perspective that encourages empathy for black women, black mothers, black people in general, for black men, the targets themselves.

At the latest news, there are still single tickets for the performances on Friday and Sunday and group tickets are still available for Saturday. Visit operabirmingham.org for ticket information.

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